Friday, October 31, 2014
Since the Monsterthon has unintentionally taken on a very alien character, it’s appropriate to use the holiday to commemorate the Halloween edition of the first alien invasion story of all time. The Mercury Theatre On The Air’s broadcast of The War of the Worlds is a thing of legend, a radio play that allegedly spooked an entire nation with its documentary realism. The furor over it helped catapult Orson Welles into the national spotlight and resulted in a lot of rules preventing radio and TV from ever being too convincing in the future. But setting all that aside, it’s just a damn good audio play, one of the great works of the medium.
Thursday, October 30, 2014
Science fiction in the sixties couldn’t help but focus on the social turmoil erupting across the world, and Japanese sci-fi filmmakers did their part. While Matango tackled social conformity, Goke, Body Snatcher From Hell is about disintegration. Born of the chaos of wars, assassinations, and political corruption, it’s a surreal parable that makes up for in intensity what it lacks in coherence.
Monday, October 27, 2014
Often ranked among the great bad movies, Robot Monster certainly merits the kind of bizarre attention and appreciation that’s been extended to Ed Wood’s filmography. Again we have a movie whose ambitions vastly outstrip both the filmmakers’ resources and technical skill, but which marches on regardless. It is not what one would traditionally call good, but its originality and charm- as well as the fact that it runs barely over an hour- makes it damned entertaining.
Friday, October 17, 2014
With the 1993 WWF in a rut, I’ve decided to look at a few other events on offer on the WWE Network for the price of... uh... it’ll come to me. And really, there are few places to start better than the very first Wrestlemania, broadcast March 31, 1985 on closed circuit TV across the world. Wrestlemania wasn’t the first such special- Jim Crockett’s Starrcade had played closed-circuit PPV since 1983- but that event was strictly regional its first few years, whereas Vince McMahon and the WWF were aiming to take their show national. But apart from its historical significance as the event that made the company what it is today, the first ‘Mania holds up well as a well-paced collection of matches, with a nervous energy that later, more assured PPVs would lack.
Saturday, August 23, 2014
Tournaments in wrestling are a tricky thing. Drag them out too long and an audience loses interest; do everything in one night and you have wrestlers working multiple matches in a row, with a greater risk of injury and of the audience being bored by the redundancy. “King of the Ring” was a WWF/WWE tradition for many years, but in the very first KotR pay-per-view from 1993, the titular tournament isn’t even the most memorable part. Hulk Hogan, around whom the WWF’s success had been built since before Wrestlemania, was on his way out, and so this otherwise average wrestling event marks the passing of an era.
Tuesday, July 29, 2014
Daphne: My life suddenly seems long, measured in muffins.
After a couple of undercooked episodes, Season 5 returns to form with "Bad Dog", which as its title suggests revolves around the exploits of Bob "Bulldog" Briscoe. Of all the show's major character, Bulldog is probably the biggest contrast to Frasier himself. Martin is a slob and a curmudgeon, but he shares his son's strong ethical sense; Roz is more worldly, but she's his closest friend. Bulldog, at least much of the time, is just a jerk; he has his moments of decency (especially later on), but for the most part he pops up because he makes a good adversary, without the scruples that restrict the rest of the group. "Bad Dog" shows him at his most shameless, presenting a formidable challenge to Frasier's ideas about human decency, and wraps this around the SeaBees, the writers' annual opportunity to mock the awards shows which have been so very good to them.
Monday, July 21, 2014
|Poster via WrongSideoftheArt.com|
It's easy to see why Godzilla vs. Mechagodzilla II is a fan favorite. Not only is it probably the slickest and most technically accomplished of the Heisei Godzilla films, it's also the only film in the franchise to not only pit Godzilla against humanity, but to make humanity the villain. Sure, in the original Godzilla he's a kind of punishment for our use of nuclear weapons, and Godzilla vs. Hedorah is about manmade industrial pollution, but in stories like that the audience is expected to empathize with the humans struggling to overcome their own folly, because we are dealing with Major Problems that all of us must reckon with. Here, humanity just makes some bad decisions with the monsters as the injured parties, so we can finally stop pretending and cheer for some miniature cities to get squashed. Sometimes we just have it coming.