American audio drama has been very slowly rebuilding itself ever since the massacre that was the coming of television, and over the past few years a critical mass has started to form. Locke & Key is an ambitious epic, a thirteen-hour-plus adaptation of Joe Hill & Gabriel Rodriguez’s graphic novel featuring a massive cast and co-produced for Audible by Audio Comics and Final Rune productions. I haven’t actually read the graphic novel, so I’m forced to judge this entirely on its own merits. It can best be described as an adult take on a YA fantasy concept, using magic and the supernatural to tell the story of a family haunted by bad decisions made in the past and by the ones they keep making. Parts of it are whimsical, other parts are very sad, and the overall effect is very powerful indeed.
Saturday, October 24, 2015
Saturday, November 22, 2014
|Poster via IMPAwards.com|
The sci-fi movies of the 50s were full of monsters; aliens, insects, and dinosaurs, the latter two usually having something to do with the atomic bomb. The origin point of this unique explosion was 1953’s The Beast From 20,000 Fathoms, a low budget thriller which made millions off the image of a giant prehistoric reptile rampaging through the modern world. Though King Kong and The Lost World both featured giant monsters attacking major metropolitan areas, those sequences were climaxes following various jungle adventures; here, for apparently the first time, was a film devoted entirely to the subject of a giant monster on the loose. The film was freely adapted from a Ray Bradbury short story, which is fitting as it marks the solo debut of Bradbury’s childhood chum, stop-motion animation auteur Ray Harryhausen; while the live action of the movie sometimes flags, as an effects showcase it more than holds up.
Friday, October 31, 2014
Since the Monsterthon has unintentionally taken on a very alien character, it’s appropriate to use the holiday to commemorate the Halloween edition of the first alien invasion story of all time. The Mercury Theatre On The Air’s broadcast of The War of the Worlds is a thing of legend, a radio play that allegedly spooked an entire nation with its documentary realism. The furor over it helped catapult Orson Welles into the national spotlight and resulted in a lot of rules preventing radio and TV from ever being too convincing in the future. But setting all that aside, it’s just a damn good audio play, one of the great works of the medium.
Thursday, October 30, 2014
Science fiction in the sixties couldn’t help but focus on the social turmoil erupting across the world, and Japanese sci-fi filmmakers did their part. While Matango tackled social conformity, Goke, Body Snatcher From Hell is about disintegration. Born of the chaos of wars, assassinations, and political corruption, it’s a surreal parable that makes up for in intensity what it lacks in coherence.
Monday, October 27, 2014
Often ranked among the great bad movies, Robot Monster certainly merits the kind of bizarre attention and appreciation that’s been extended to Ed Wood’s filmography. Again we have a movie whose ambitions vastly outstrip both the filmmakers’ resources and technical skill, but which marches on regardless. It is not what one would traditionally call good, but its originality and charm- as well as the fact that it runs barely over an hour- makes it damned entertaining.
Friday, October 17, 2014
With the 1993 WWF in a rut, I’ve decided to look at a few other events on offer on the WWE Network for the price of... uh... it’ll come to me. And really, there are few places to start better than the very first Wrestlemania, broadcast March 31, 1985 on closed circuit TV across the world. Wrestlemania wasn’t the first such special- Jim Crockett’s Starrcade had played closed-circuit PPV since 1983- but that event was strictly regional its first few years, whereas Vince McMahon and the WWF were aiming to take their show national. But apart from its historical significance as the event that made the company what it is today, the first ‘Mania holds up well as a well-paced collection of matches, with a nervous energy that later, more assured PPVs would lack.
Saturday, August 23, 2014
Tournaments in wrestling are a tricky thing. Drag them out too long and an audience loses interest; do everything in one night and you have wrestlers working multiple matches in a row, with a greater risk of injury and of the audience being bored by the redundancy. “King of the Ring” was a WWF/WWE tradition for many years, but in the very first KotR pay-per-view from 1993, the titular tournament isn’t even the most memorable part. Hulk Hogan, around whom the WWF’s success had been built since before Wrestlemania, was on his way out, and so this otherwise average wrestling event marks the passing of an era.